Entry tags:
- alex,
- gene,
- oom,
- post-canon
[oom] Room 6620
[ cont'd from here ]
She dreams, fitfully. The same anguish plays itself out on her face, and at one point, she calls out. His name, desperate and pleading, as if willing him back from the edge of some precipice.
She dreams, fitfully. The same anguish plays itself out on her face, and at one point, she calls out. His name, desperate and pleading, as if willing him back from the edge of some precipice.
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And now he's promised her he'll stay here, for a while at least. Could be a long while. So he has to accept that he's going to be living with this for the forseeable future. It exhausts him just thinking about it, so he tries not to.
Then she calls his name, and his muscles jerk, eyes snap to fully open, and his arms close around her again as if on reflex. He doesn't try to wake her. Sleeping, however badly, is probably the best thing for her right now.
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'Don't go. You promised,' she murmurs, holding a finger under his nose like a school marm. And then she slips away to the loo, coming back with her hair wild around her face, the queue down her back having fallen apart while she tossed at turned. There's a faint smile on her lips as she takes her place again. She does give him a questioning glance, sleepy eyes wondering if he needs to relieve himself as well.
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'Comin' back in here?'
Or maybe she wants her own space now. Her choice.
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Before, she would have worried about appearances. It's unprofessional, it's weak to need coddling. But after the last few days, those things don't hold a candle to the basic human need for touch and comfort.
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'Back t'sleep, luv.'
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"You don't mind, do you?"
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'No.'
No, he doesn't mind that.
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After a few minutes, she draws a breath and holds it.
"Do you remember Arthur Layton?"
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Down-at-heel tinker turned drug baron.
'Yeah, of course. He was all tied up with drugs, an'...'
A couple of things suddenly seem to click.
'...that bomb.'
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"I was driving Molly to school." A dry laugh rises and is choked back down. She can tell him this. It's only fair that he know. "She was reading Sam's file, I remember that clearly. Told her to put the classified document back in the file. That's when the call came in. Someone was holding a busker hostage in front of the Tate. It was Layton." As she remembers, her voice falters. "Mols didn't listen. She didn't stay in the car. Layton got his hands on her. He pressed the barrel of his gun to my little girl's head."
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The flash of anger is automatic. And it makes a lot more sense of her first day.
'That's why you wanted him so bad.'
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He knows all the players.
"Anyway, Layton waited for me in my car. He took me at gunpoint down to the water. Told me he knew my parents."
She has to take a deep breath, and another.
"He shot me. I was talking to him, trying to establish just what he wanted from me -- what I meant to him. And he just--shot me."
There's still a shock in her voice. A disbelief at the truth. How could that happen to her, and on her daughter's birthday.
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'Blokes like that - there's not much anyone can do, luv. Can't reason with a bloke who doesn' want anythin'.'
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If he is angry at that boy, then he should recognize her own anger. She should never have let her curiosity take her away from the safety of the street.
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'Sorry.'
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'I spent that entire first year at Fenchurch being chased by a bloody clown, would you believe? And Layton was involved, but it didn't matter. I couldn't stop it from happening again. And then you were there, carrying me away from the scene, and I don't remember you being there but you were, somehow.' The more she talks, the more girlish her tone becomes.
She hasn't talked to anyone about this. And still the memory of the detonation(I'm happy, hope you're happy too) and the (red balloon) plume of fire rising into the sky is as clear as the day it happened.
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A few more things click into place.
'You were Alex Price.'
Yes, of course. Of course.
'An' you found out it was your father.'
Well, it explains the mess she was in after, and the depression that prompted him to take her to Manchester that Christmas.
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'You've met my mother, too.' The situation is too odd not to laugh at, 'You had me bent over a desk and my skirt raised to stamp my arse when she walked in.'
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His tone manages to acquire some tone on that comment. It's dry, but it's not a monotone.
'Yeah. Thanks very much for sticking me with her.'
A touch of amusement, even.
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'She's still my mother, regardless of...' Yeah, all of it.
'And you called me a clenched-arse, toffee-nosed bitch.' She may be giggling through her tears now.
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She's probably nicer when not dealing with her over the table.
'An' you are, sometimes. Were.'
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'I am not a clenched-arse anything. At least not after three years of drinking with you.'
She adamantly refuses to speak of herself in the past tense, not while she can still draw a breath.
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'Hold your drink pretty well. For a bird.'
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She inhales deep and lets her breath out in a long shuddering sigh. "I wonder what happened to him. If they caught him. If they even knew who he was..."
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'You might find out, one day. Or maybe never. You can't wonder, luv. You'll drive yourself mental.'
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"Too late..."
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'Don' say that. Don' do yourself down.'
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"Are you telling me... You don't think I'm mental anymore?"
Her tone is quiet, and not a little baffled.
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'Well...you acted weird 'cos of - all this, didn' you?'
Maybe not.
'I expect all the stuff just from being you will carry on, though.'
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'...yeah?'
He's completely lost the thread of what she's getting at.
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After a moment, she shifts again, one hand resting in the center of his chest to steady herself. She listens to the sound of his breath to orient herself, and this time the kiss is not as tentative. It's gentle and chaste, wrought of a genuine affection.
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Still. He lets her, and responds, albeit without moving into it or doing more than pressing back with his lips. Just for a moment.
And after - quietly, very quietly -
'What you doin', Bols?'
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'I have a second chance.'
Her fingertips trace a tiny circles on his shirt.
'I can't let it slip by me this time without -- '
The words fade in her mouth, because she doesn't really know what she's doing. It felt like the right thing to do.
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's'different now, isn' it?'
Well? Isn't it?
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Her voice is quiet, not quite willing to disturb the blanket of darkness or whatever spell that's made it okay for her to be lying here in bed with him, almost nose to nose in the dark.
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'I'm not what you thought I was.'
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'You are still who you are. And that's all I care about, really.'
She can't begin to address the fact that the man she's fallen for has actually been dead for thirty plus years, and that his entire adult existence happened through the lens of other troubled souls and their unfinished business. But she's known him for three years, in times both good and bad, and in her mind, she could no more walk away from him now than she could walk away from Molly when she first turfed up in 1981.
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'Can we talk about this some other time?'
He's not blowing her off. But he can't think straight, and he doesn't want to get it wrong.
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Her hand slips around his middle, and she gives him a squeeze, nuzzling against him a bit. She's content to let that conversation happen at a much later date.
But there's one question she'd really like to know the answer to, if he even has an answer.
'Why did you wait for me?'
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'I waited in case you came.'
Nothing more he can say. He could no more have left with the possibility of her turning up hanging over him, than she could leave now. He can't articulate exactly why, other than he'd never have forgiven himself if he'd walked out that door without waiting to see if they'd let her in.
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"I'm really glad you did."
The rest of it can sort itself out in the morning, she thinks. He's here, warm and solid against her. They're battered, surely. The whole world has been turned upside down, for both of them.
But they're together. All the rest of it, she thinks, can wait till the light of day.