[oom] 3x07 (iv)
Whenever Alex needs a moment to gather her thoughts, she writes. Usually, her notes are disjointed, a noun here, a verb there. Names, places, emotions. She prefers to use the tape to keep her journal. It's easier when she thinks she's talking to someone else. (Molly. Where is Molly now? Where is Gene?)
He's down there with his team, but she knows he'll be coming up those stairs soon. She's left her shoes on, tidied up the place a bit, actually made the bed for once. Not that she's slept in it for months.
She feels him before she hears the knock at the door. Like a change in the air just before a summer storm, or that sensation you get when know someone else is in the room even if you can't see them. He has a presence about him. Always has.
She puts her notebook away in the bookshelf, and crosses the living room to her front door. For some reason, she checks the peephole at the door, even though she already knows who it is. She's not sure why, but the butterflies in her stomach feel more like fear than anticipation.
He's down there with his team, but she knows he'll be coming up those stairs soon. She's left her shoes on, tidied up the place a bit, actually made the bed for once. Not that she's slept in it for months.
She feels him before she hears the knock at the door. Like a change in the air just before a summer storm, or that sensation you get when know someone else is in the room even if you can't see them. He has a presence about him. Always has.
She puts her notebook away in the bookshelf, and crosses the living room to her front door. For some reason, she checks the peephole at the door, even though she already knows who it is. She's not sure why, but the butterflies in her stomach feel more like fear than anticipation.
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‘No! Gene Hunt does not dance.'
He sits around and drinks. If she needs a demonstration of that fact, he’s doing it right now.
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She finds the tape, and pops it in the cassette deck, pressing the play button firmly. The sound of Spandau Ballet quietly fills the room, and it takes her a moment to gather her courage again. He's still seated, and that just won't do. It feels like she's crossing a country mile to get to him again, but she holds out her hand, making it clear she won't take no for an answer.
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‘OK.’ He plants one foot on the floor. ‘Let’s get the dancin’ out of the way.’
As if this had been a foregone conclusion all the time. As if his throat hasn’t gone a bit dry, despite the amount of beer he’s poured down it.
He takes her hand, and follows her to the middle of the room. Her hand is warm in his. There’s a brief moment when they arrange themselves; he’s wondering if this is the slow dance it should be. But she seems to have no qualms about them sharing space, and he sure as hell doesn’t.
He’s been dreaming about holding her this close for three years. The butterflies inside ramp their action up a bit, but he’s not complaining.
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She leans into him, unable to keep from glancing at his expression, wondering if he's just as desperate for this as she is. She's shaking, and it doesn't matter. This close, she can smell his cologne, the beer on his breath. His scent catches in her throat, and a wave of emotion causes her to inhale, as if she could take him into her and hold him there, safe from the rest of the world.
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He doesn’t know what to do with the tension. He’s always backed away from emotional stuff, and he doesn’t know how he should act here. So he does what he always does.
‘You got any Herb Alpert?’
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'No.'
She knows what he's trying to do, and it's past time for that. They're here, finally. After all they've been through, they're in each others arms.
Her forehead drops to his temple, and she closes her eyes, nuzzling against his cheek. Only for a moment, and then she gives in. Her head comes to rest on his shoulder, her nose tucked up against his throat. She sighs, letting the smell of his skin fill her lungs. The hand at his waist pulls him closer, as if that were possible.
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But it has to, because that's not the kind of kiss she wants from him. She doesn't want chaste, and safe. She doesn't want comforting. She wants so much more, and after a moment, she decides she's done waiting. Her eyes open, and she lifts her head again, seeking out his gaze. Willing him to feel this, too, before it overwhelms her.
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Oh she was wrong, so very wrong. And glad of it, in this moment. In this moment, he is all she wants, and want is a very pale word for the emotion roaring in her head.
Which is why the sharp three knocks at the door literally steals her breath away.
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But of course.
Of course.
He breathes out, and swallows, trying to get a handle on himself and tamp down the flare of anger at the same time. Why can’t the world just sod off for One Bloody Night. Half an inch, less, from finally getting there and...this.
He lets go of her hand, but doesn’t step away. She might (won’t) ignore the knock. It could be important (he knows who it is); all he can do is hope the moment isn’t lost, and she’ll come back to him.
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God, what now? What could possibly be so important that it justifies pounding on someone's flat door at 2 o'clock in the morning? She tucks her hair behind her ears, her thoughts skittering madly from one disaster to another. (And she knows who it is; how could she not?) Just -- how to get rid of him. How to make this right again?
She's still thinking the evening is salvageable when she opens the door...